In future it will be called Theatre Blossac.
L'Ancien refers to the 'former' not 'ancient' theatre.
Now, re-instated it is situated on the Boulevard Blossac.
HOWEVER, it has been restored exquisitely, ambitiously and impeccably.
It is a working theatre in the Italianate Style.
I recommend everyone to have a guided tour.
HISTORY:
1495: A theatre was built
in the chapel of the Convent of Minimes.
1791: It was purchased by the town council.
1804: A wooden tower was destroyed. I don't know which tower is referred to. The wood was recycled to build a simple
amphitheatre with apx 400 seats to host meetings and Republican
ceremonies. It was organised by a charitable company whose aims were to "bring relief to poverty, promote the arts and provide residents
with pleasant relaxation which would improve their morals."
(Maybe the translation means morale!)
1814: It was decided that a new theatre was required for the town.
1839 to 1844: A small neo-classical Italian theatre was built by Michel
Delage, who was a mason in Châtellerault, according to designs by Louis Renaudet.
1860: It became a Municipal Theatre. I think it was called La Redoute because until recently that was the name of the hall in front of the concealed theatre and the hall upstairs. "
The cultural space now includes a theatre (in the nave of the old
church), a peristyle attached to the front of the church and, upstairs, a
fireplace and the room dedicated to La Redoute meetings concerts and
balls."
1899: The theatre was extended to seat apx 600 in the audience.
The simple brown, blue and yellow decor was transformed with rich paintings, sculptures and embellishments of red and gold.
The sets, the curtain and the allegorical ceiling
paintings and murals are the work of Emile Vernon, of the Ecole des Beaux-Arts de
Tours.
Émile Vernon, was born in 1872 and died in 1919. He was a student at the School of Fine Arts in Tours, France and received the premier prize for drawing in 1888. He was taught and influenced by William Bouguereau and Auguste Truphème at the Ecole des Beaux-Arts in Paris. In 1898, he participated in the Exhibition of Fine Arts and Decorative Arts in Tours. He exhibited regularly until 1913, with portraits, landscapes and floral paintings.
He excelled in watercolour paintings of women and children in bright
colours and bucolic scenery, and was well known for the portrait of Mrs.Vernon, Under the Lamp.
1945 to 1958: although there were performances the building began to degrade becoming dangerous.
2012: Restoration began to replicate the Italianate theatre of 1899. The
foundations, roof, walls, stairway, plumbing, electricity, et cetera have all been updated according to current building regulations. Paintings and decorations have been restored: curtains, dressing rooms,
benches, seats and theatre boxes, chairs in the balconies, the proscenium, cornices,
friezes and IN FACT everything has all been replaced and or restored. The machinery which operates the theatrical screens and sets has also been upgraded.In addition, a lift has been installed.
Two stone muses,
Thalia and Melopmene were returned to the facade of the theatre.
In Grecian Mythology the Muses were the inspirational goddesses of knowledge, of the arts, of music, song and dance and all were the source of inspiration to poets in the
court of Zeus. In very ancient times there were three Muses, but later there were nine.
Each inspirational Muse received a name and spheres of responsibility or attributes:-
Calliope (epic poetry)
Clio (history)
Erato (love and erotic poetry)
Euterpe (lyric poetry)
Melopmene (tragedy)
Thalia (comedy)
Polyhymnia
(religious hymns)
Terpsichore (choral song and dance)
Urania (astronomy)
2013: The theatre was re-opened.
It has cost 5.85 million euros to restore. The Heritage Foundation supported the restoration of the theatre.
The work was overseen by Millet Key, an International firm associated with Arnaud de Saint-Jouan, Chief Architect of Historic
Monuments. 25 companies were involved.
See next posting for more photographs.
